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c. 1445 – May 17, 1510. Italian painter.

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PATENIER, Joachim
Baptism of Christ

ID: 39644

PATENIER, Joachim Baptism of Christ
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PATENIER, Joachim Baptism of Christ


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PATENIER, Joachim

Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).   Related Paintings of PATENIER, Joachim :. | St Christopher Bearing the Christ Child af | Baptism of Christ | Landscape with Charon's Bark (mk08) | Landscape with the Flight into Egypt agh | Rest during the Flight to Egypt af |
Related Artists:
Agostino Brunias
Agostino Brunias (c. 1730 - April 2, 1796) was a London-based Italian painter from Rome. Strongly associated with West Indian art, he left England at the height of his career to chronicle Dominica and the neighboring islands of the West Indies. Painted in the tradition of verite ethnographique, his art was as escapist as it was romantic. Brunias was born in Rome c. 1730; the exact date is uncertain. His first name has been spelled in various ways including Abraham, Alexander, August, or Austin, while his surname has been recorded as Brunais and Brunyas. Brunias was a student at the Accademia di San Luca, Rome, where he won Third Prize in the Second Class for painting in 1754. An early oil painting of his was exhibited in Rome two years earlier.
Elliott Charles Loring
born in Scipio, New York, in December 1812; died in Albany, NY., 25 Sept., 1868. died in Albany, NY., 25 Sept., 1868., American painter. Resolved to become an artist, he moved from Syracuse, NY, to New York City around 1830, bearing a letter of introduction to John Trumbull and reportedly receiving some brief instruction from him. Elliott spent six months in the studio of the genre painter John Quidor but returned to upstate New York, where he worked for several years as an itinerant portrait painter. Back in New York City by 1839, his art steadily improved; Henry Inman met him around 1844-5, whereupon he predicted: 'When I am gone that young man will take my place'. Elliott's portrait of Capt. John Ericsson (c. 1845; untraced) won praise in 1845 as 'the best American portrait since [Gilbert] Stuart', and from that date he was acknowledged as New York's leading portrait painter. His facility for capturing a vivid, characteristic likeness and his genial personality assured a constant stream of private patrons and public commissions. In 1867 it was reported that he had executed nearly 700 portraits.
Clara Southern
Australian artist, 1860-1940 Australian painter. One of the first generation of progressive, professionally educated Australian women artists, she began her training as a pupil of Mme Mouchette, painter, schoolmistress and founder of the Alliance Fran?aise in Melbourne; and later took lessons from Walter Withers. As a student at the National Gallery of Victoria (1883-7) she was nicknamed 'Panther' for her lithe beauty. From mid-1888 she shared a teaching studio with Jane Sutherland in the new purpose-built Grosvenor Chambers, where Tom Roberts was a neighbour. She had 'caught the "Impressionist" fever', reported Table Talk (2 Aug 1889), and showed 'a great variety of charming little sketches, which however are not intended for exhibition'. She showed with the Victorian Artists' Society (1889-1917): mainly subjects around Kyneton and Melbourne's outer suburbs, painted in the fresh, quasi-Impressionist style characteristic of the Heidelberg school.






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